JAAR

2021

Beeldhoukuns

Mary Sibande

In the midst of chaos, there is opportunity

“Die werk getuig van die mag van die verbeelding. Hoewel die status van vroue in Suid-Afrika nog altyd sinoniem is met geweld, verdrukking en swaarkry, is dit deur veerkragtige eienskappe soos harde werk, krag, liefde, hoop en verbeelding dat vroue die geleentheid kry om hul eie narratief te skryf ondanks die noodlot of gebrek aan kanse.” - Uit die beoordelaars se commendatio

Die internasionaal gerekende Suid-Afrikaanse kunstenaar Mary Sibande is die ontvanger van die Helgaard Steyn-prys, vanjaar toegeken vir beeldhoukuns. Haar beeldhou-installasie In the midst of chaos, there is opportunity is volgens die beoordelaars die uitmuntendste werk wat die afgelope vier jaar in Suid-Afrika uitgestal is.

Die kunswerk is ’n asembenemende beeldhou-installasie met uitsonderlike visuele trefkrag. Dit is herkenbaar as Sibande, maar is ook aanduidend van nuwe ontwikkelings in haar kunsskepping.

Sibande het oor die loop van haar loopbaan ’n oorspronklike en persoonlike visuele taal en ikonografie ontwikkel met betrekking tot konseptualisering, materiale en aanbieding.

In the midst of chaos, there is opportunity, wat in 2017 voltooi is, is ’n voortsetting van die bekende Sophie-narratief wat herhaaldelik in Sibande se oeuvre voorkom. Sophie is haar alter ego en ŉ verwysing na drie generasies van die kunstenaar se familie wat as huiswerkers gewerk het.

Sibande gebruik ’n afgietsel van haar eie lyf om Sophie uit te beeld as ’n ruiter aangetrek in bloedrooi gevegsdrag. Sy word omring deur aggressiewe mitiese diere en vroulike figure op speelperdjies wat herinner aan lewensgroot speelgoedsoldaatjies. Hierdie elemente eggo werke soos The Reign (2010) en Right Now (2015).

Sibande se Sophie-werke suggereer teenvertellings wat onder meer die swart vroueliggaam en vroulike huishoudelike werk ondersoek. Dit is interessant dat Sophie haar met verloop van tyd al meer bevry het van die allegoriese beeld van ŉ huiswerker wat sy aanvanklik versinnebeeld het.

Dit verteenwoordig ook huidige verkennings van die kunstenaar se toenemend persoonlike narratief wat in haar kuns manifesteer. Hier word die droomwêreld van Sophie die huiswerker in verskillende kontekste getransformeer tot ’n nuwe droomwêreld: Dit is ’n allegorie van persoonlike bevryding, identiteitsvorming en moontlikheid. Sy herverbeel die geskiedenis terwyl sy die huidige transendeer en flankeer met wat dalk gaan volg.

Sibande is in 1982 in Barberton, Suid-Afrika, gebore. Sy woon en werk tans in Johannesburg. Nadat sy in 2004 ŉ diploma in Beeldende Kunste verwerf aan die Witwatersrand Tegniese Kollege, behaal sy ook ŉ honneursgraad aan die Universiteit van Johannesburg in 2007.

Ander toekennings

2017 Smithsonian National Museum of African Arts-prys

2014 Universiteit van Johannesburg se Alumni Dignitas-prys

2013 Standard Bank Jong Kunstenaarsprys vir Visuele Kunste

Internasionale residensies, genootskappe en ampstermyne

2018-2019 Virginia C. Gildersleeve Professorship by Barnard College, Columbia-universiteit, New York

2013 Musée d’Art Contemporain du Val-de-Marne (MAC VAL), Parys

2011 Smithsonian Artist Research Fellowship, Washington, D.C.

2006 Cité Internationale des Arts, Parys

In the midst of chaos, there is opportunity – 2017

Fibreglass, Resin, Fabric and Steel Dimensions Variable

Uitstallings

2021

Solo-uitstalling, SMAC-galery, Kaapstad

Blue, Purple, Red, Frist-Kunsmuseum, Nashville, Tennessee (solo-uitstalling)

Unhand Me, Demon!, Kavi Gupta Gallery, Chicago (solo-uitstalling)

Black Luminosity, met as kurator Gcotyelwa Mashiqa, SMAC-galery, Stellenbosch

Margins of Error by die NIROX Foundation Sculpture Park, Krugersdorp

2020

BredaPhoto, Breda, Nederland

Investec Cape Town Art Fair (SMAC-galery), Kaapstadse Internasionale Konferensiesentrum, Kaapstad

Reclaiming Power: Womxn and Intersecting Inequalities, Oxfam South Africa, The Worker’s Museum, Johannesburg

NOW LOOK HERE – The African Art of Appearance, Asterweg 17, Amsterdam, Nederland

Making of Ourselves, BKHZ, Johannesburg

Radical Revisionists: Contemporary African Artists Confronting Past and Present by die Moody Centre for the Arts, Rice-Universiteit, Houston

Soos Familie / Like Family, Rupert-museum, Stellenbosch

2019

I came apart at the seams by Somerset House, Londen (solo-uitstalling)

Mary Sibande at the LeRoy Neiman Gallery by Columbia University, New York (solo-uitstalling)

Ngoma: Art and Cosmology, met as kurators Musha Neluheni, Philippa van Straaten en Khwezi Gule, Johannesburg Art Gallery (JAG), Johannesburg

Felix Fair (Kavi Gupta), Hollywood Roosevelt Hotel, Los Angeles

Art Basel Miami (Kavi Gupta), Miami

arteBOTANICA, Nirox Sculpture Park, Krugersdorp

Frieze London (Kavi Gupta), Regent’s Park, Londen

1-54 Contemporary African Art Fair (SMAC-galery), Somerset House, Londen

To Reclaim (Kavi Gupta), Chicago

That Was Then, SMAC-galery, Kaapstad

My Africa – Our Art, Javett Art Centre, by die Universiteit van Pretoria

N’GOLÁ Festival of Arts, Creation, Environment and Utopias, São Tomé en Príncipe

Ampersand Foundation Award, 21 Years Celebration Exhibition, Universiteit van Johannesburg se kunsgalery

FNB Art Joburg (SMAC-galery), Sandton-konferensiesentrum, Johannesburg

Open Borders, die 14de Curitiba-Biënnale, Curitiba, Brasilië

Made Visible: Contemporary South African Fashion and Identity by die Boston Museum of Fine Art, Boston

Construction of the Possible, die Havana-Biënnale, Kuba

2018

The Armory Show (Gallery MOMO), Piers 92 & 94, New York (solo-uitstalling)

A Crescendo of Ecstasy, aangebied deur The Mixed Reality Workshop met die samewerking van Eden Labs, Keyes Art Mile, FNB Joburg Art Fair, Sandton-konferensiesentrum Johannesburg (solo-uitstalling)

The Red Hour, Dak’Art: African Contemporary Art Biënnale, Dakar, Senegal

In Their Own Form, Museum of Contemporary Photography, Chicago

Shifting Boundaries: A Selection of Works showcasing South African Women Artists of the Past 100 Years, Welgemeend, Kaapstad

Not a Single Story, ’n samewerking met die NIROX Foundation, The Wanås Foundation, Nirox Foundation Sculpture Park, die Wieg van die Mensdom, Gauteng

Continental Drift: Black / blak Art from South Africa and North Australia, Cairns Art Gallery, Australië

Like Life: Sculpture, Color, and the Body (1300 – Now), The Met Breuer, New York

Cultural Threads, TextielMuseum, Tilburg, Nederland

Friends50, Iziko Suid-Afrikaanse Nasionale Galery, Kaapstad

Extra/Ordinary, met as kurators Ceren en Irkman Arkman, Plugin New Media Section, Contemporary Istanbul Art Fair, Istanbul

2017

South Africa: The Art of a Nation, The British Museum, Londen

All things being equal, Zeitz-museum vir Kontemporêre Afrika-kuns, Kaapstad

African Mosaic: Selections from the Permanent Collection, National Museum for African Art, Smithsonian, Washington D.C.

Dress Code, Gallery MOMO, Kaapstad

1:54 Contemporary African Art Fair (Gallery Momo), Somerset House, Londen

Art on Paper, Gallery MOMO, Johannesburg

Cape Town Art Fair, Kaapstadse Internasionale Konferensiesentrum, Kaapstad

The Evidence of Things Not Seen, Johannesburg Art Galery, Johannesburg

Another Antipodes/Urban Axis, PS Art Space, Fremantle, Australië

Beauty and Its Beasts, Durban Art Galery, Durban

Identitet/Identity, Avesta Kommun, Verket/Avesta Art, Swede

Deep Memory, Kalmar Konstmuseum, Kalmar, Swede

2016

Right Now!, Woordfees, Kunsmuseum van die Universiteit Stellenbosch, Stellenbosch (solo-uitstalling)

The Armory Show (Gallery MOMO), 92 & 94 Piers, New York (solo-uitstalling)

Different Angels, Höhenrausch, Linz, Oostenryk

Desire, Association of Arts Pretoria, Pretoria

Re[as]sisting Narratives Framer Framded, Amsterdam; District Six Museum Homecoming Centre, Kaapstad (rondreisende uitstalling)

A Place in Time, Nirox Foundation Sculpture Park, Krugersdorp

Selling the Shadow, met as kurator Ayana V Jackson, Gallery MOMO, Kaapstad

Chicago Expo, Gallery MOMO, Chicago

After the Thrill is Gone, Fashion Politics and Culture South Africa, Richmond Center for Visual Arts, Kalamazoo, Michigan

South Africa – The Art of a Nation, British Museum, Londen

2015

Barriers – Contemporary South Africa, Wanås Konst Sculpture Park, Knislinge, Swede

Arttextile, The Whitworth, Manchester, Engeland

Between the Art and the Experience, Havana Biennale, Kuba

Twenty: Art in the Time of Democracy, UJ Arts Centre, Johannesburg

ReSignifications: Imagining the Black Body and Re-Staging Histories, Museo Bardini, Florence, Italië

South African Art in a Time of Democracy, 6th Beijing International Art Biennale, Beijing, China

2014

The Purple Shall Govern, Iziko Suid-Afrikaanse Nasionale Galery, Kaapstad; Standard Bank Gallery, Johannesburg (solo-uitstalling)

Where do I end and you begin?, Edinburgh Festival of Arts, Skotland

Material Self: Performing the Other Within, Museum of Contemporary Canadian Art, Scotiabank CONTACT Photography Festival, Toronto, Kanada

2013

Lyon Biennale of Contemporary Art, The Museum of Contemporary Art, Lyon, Frankryk (solo-uitstalling)

Mary Sibande and Sophie Ntombikayise Take Central Court, Central Court, Spencer Museum of Art, University of Kansas, Kansas (solo-uitstalling)

The Purple Shall Govern, The Musée d’Art Contemporain du Val-de-Marne, Parys; Iziko Suid-Afrikaanse Nasionale Galery, Kaapstad; North-West University Gallery, North-West University, Potchefstroom; Tatham Art Gallery, Pietermaritzburg; Standard Bank Gallery, Johannesburg, The National Arts Festival, Grahamstown; Nelson Mandela Metropolitan Art Museum, Gqeberha, (rondreisende solo-uitstalling)

Long Live the Dead Queen by die Musée d’Art Contemporain di Val-de-Marne, Parys (solo-uitstalling)

Meanwhile . . . Suddenly and Then, 12th Lyon-Biënnale, Lyon

Say it Loud!: Art by African and African-American Artists in the Collection, Norton Museum of Art, Florida

My Joburg, Staatliche Kunstsammlungen, Dresden; La Maison Rouge, Parys

Family Histories, Dishman Art Museum, Lamar University, Beaumont

Sibande on Campus: Mary Sibande Installation/New Work, Institute for the Humanities Gallery, University of Michigan, Ann Arbor

2012

Mary Sibande and Sophie Ntombikayise Take Central Court by die Spencer Art Museum, Lawrence, Kansas (solo-uitstalling)

Recent Additions: 2009-2012, Iziko Suid-Afrikaanse Nasionale Galery, Kaapstad

The Rainbow Nation: Contemporary Sculpture from South Africa, Museum Beelden aan Zee, Den Haag

Somehow, Somewhat in the middle of things, Liefhertje en De Grote Witte Reus Gallery, Den Haag

Say it loud, Norton Museum of Art, Palm Beach, Florida

2011

(Re)constructions, Contemporary Art from South Africa, Museu de Arte Contemporânea de Niterói (MAC), Rio de Janeiro

ARS 11, Kiasma Museum for Contemporary Art, Helsinki

Desire, Narratives in Contemporary South African Art, 54^th Venice Biennale, Italië, as deel van die Suid-Afrikaanse Paviljoen

Paris Photo, Grand Palais, Parys

BEYOND Re/PRODUCTION. MOTHERING, Kunstraum Kreuzberg / Bethanien, Berlyn

Desire, Narratives in Contemporary South African Art, 54th Venice Biennale, as deel van die Suid-Afrikaanse Paviljoen

2010

Long Live the Dead Queen, Inner City Johannesburg, Exhibition of billboards on 19 buildings, Johannesburg, The Albany History Museum, Makhanda (solotenstoonstelling)

From Pierneef to Gugulective: 1910-2010, Iziko Suid-Afrikaanse Nasionale Galery, Kaapstad

l’Exposition du Festival Mondial des Arts Nègres, Dakar, Senegal

Space: Currencies in Contemporary African Art, met as kurators Thembinkosi Goniwe en Melissa Mboweni, Museum Africa, Johannesburg