{"id":325,"date":"2020-10-16T21:35:58","date_gmt":"2020-10-16T21:35:58","guid":{"rendered":"http:\/\/www.helgaardsteynpryse.co.za\/?p=325"},"modified":"2021-06-07T08:46:55","modified_gmt":"2021-06-07T08:46:55","slug":"pippa-skotnes","status":"publish","type":"post","link":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/pippa-skotnes\/","title":{"rendered":"Pippa Skotnes"},"content":{"rendered":"
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Skotnes is an artist, curator, author and director of the Centre for Curating the Archive, University of Cape Town. She has obtained an M.A. degree (Fine Arts) and a D.Lit. degree. During her years of study she received eight scholarships and grants that enabled her to travel to the USA and Europe.<\/p>

Her major interests include book-arts, curatorship, representation and the San (in particular rock art and the Bleek and Lloyd archive), and the visual as a site of meaning.<\/p>

Major projects have included various pub- lications around the Bleek and Lloyd archive (housed at UCT\u2019s Manuscripts and Archives library, Iziko and the National Library), including\u00a0Sound from the thinking strings\u00a0<\/em>(1991, that won the UCT Book Award);\u00a0In the wake of the white wagons\u00a0<\/em>(1993, that was the Standard Bank Young Artist Award Winner exhibition);\u00a0Miscast: negotiating the presence of Bushmen\u00a0<\/em>(1996, that accompanied a major exhibition at the SA National Gallery);\u00a0The digital Bleek and Lloyd<\/em>, a complete, searchable digital archive published with the book\u00a0Claim to the Country\u00a0<\/em>(2007);\u00a0Unconquerable\u00a0<\/em>Spirit: George Stow\u2019s history paintings of the San\u00a0<\/em>2008, accompanied by an exhibition at Iziko South African Museum).<\/p>

More recently, Skotnes published\u00a0Rock art made in translation\u00a0<\/em>(2010, to accompany an exhibition at the Iziko SANG) and\u00a0Landscape to literature\u00a0<\/em>(2011), a catalogue to the exhibition of the same name at the Michaelis Galleries, that marked the century conference of the publication of Bleek and Lloyd\u2019s Specimens of Bush- man folklore.<\/p>

The\u00a0Lament\/Klaagsang-<\/em>series of four etchings shows poor, but not unfriendly or uninviting, kitchen interiors. The empty holders (cans, bottles and a bucket) have their own \u201clife\u201d, that of being lifeless.<\/p>

Ballot (1988) shares the thought that the series portrays the result of a full existence in an almost audible silence and shadowed atmosphere. This is something that could remind one of the decaying and futility of earthly goods, as the users, even though absent in the work, have been involved indirectly.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In two of the etchings in the series there is an element of life portrayed, by means of a flying owl, a symbol of wisdom, attribute of darkness, the night or even the human soul. In one etching the owl is shown in full and, in another, only the point of its wing is seen.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Do the owl\u2019s fluttering and ultimately trapped presence perhaps attempt to symbolise the factors of uneasiness, threat, deprived freedom, or even the inevitable death in this type of social context, clearly portrayed by the interiors?<\/em><\/p>

According to Werth (1987) the social commentary about the current cultural-political circumstances under which we live in South Africa is no strange occurrence or subject in the arts. This theme has been addressed from the beginning of the decade. Artists either portray a positive or negative involvement through their work. \u201cUnfortunately\u201d artists are regarded by viewers and authorities as rebels, as being radical and immoral, and part of sinful elements in the society when they try to share social commentary through their work. Werth further states that what artists are actually trying to do, is make a contribution to the arts and in no way act like rebels, even though circumstances in our country make them feel uneasy or cause discomfort.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Lament\/Klaagsang I,II,III,IV (1985)<\/strong><\/em>, etching on paper, 68 x 47.5cm each\nPretoria Art Museum, City of Tshwane
–
Photos courtesy of Helenus Kruger \u2013
Communication, Marketing and Events, City of Tshwane.<\/p><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Die Kaapse kunstenares, Pippa Skotnes, was in 1987 die eerste wenner van \u2018n Helgaard Steyn Toekenning vir haar portefeulje Lament\/Klaagsang.
\nDit is in 1985 as deel van \u2018n portefeulje getiteld Shelter\/Skuiling uitgegee.<\/p>","protected":false},"author":1,"featured_media":357,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11,9],"tags":[],"class_list":["post-325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-skilderkuns","category-vorige-wenners"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.helgaardsteynpryse.co.za\/wp-content\/uploads\/2020\/10\/Pippa-Skotnes-CMYK.jpg?fit=1206%2C1500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/posts\/325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/comments?post=325"}],"version-history":[{"count":5,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/posts\/325\/revisions"}],"predecessor-version":[{"id":989,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/posts\/325\/revisions\/989"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/media\/357"}],"wp:attachment":[{"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/media?parent=325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/categories?post=325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/tags?post=325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}