{"id":1253,"date":"2021-12-10T10:28:52","date_gmt":"2021-12-10T10:28:52","guid":{"rendered":"https:\/\/www.helgaardsteynpryse.co.za\/?p=1253"},"modified":"2024-02-22T23:51:28","modified_gmt":"2024-02-22T23:51:28","slug":"mary-sibande","status":"publish","type":"post","link":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/mary-sibande\/","title":{"rendered":"Mary Sibande"},"content":{"rendered":"\t\t
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Die internasionaal gerekende Suid-Afrikaanse kunstenaar Mary Sibande is die ontvanger van die Helgaard Steyn-prys, vanjaar toegeken vir beeldhoukuns. Haar beeldhou-installasie In the midst of chaos, there is opportunity<\/i> is volgens die beoordelaars die uitmuntendste werk wat die afgelope vier jaar in Suid-Afrika uitgestal is.\u00a0<\/span><\/p>

Die kunswerk is \u2019n asembenemende beeldhou-installasie met uitsonderlike visuele trefkrag. Dit is herkenbaar as Sibande, maar is ook aanduidend van nuwe ontwikkelings in haar kunsskepping.\u00a0<\/span><\/p>

Sibande het oor die loop van haar loopbaan \u2019n oorspronklike en persoonlike visuele taal en ikonografie ontwikkel met betrekking tot konseptualisering, materiale en aanbieding.\u00a0<\/span><\/p>

In the midst of chaos, there is opportunity<\/i>, wat in 2017 voltooi is, is \u2019n voortsetting van die bekende Sophie-narratief wat herhaaldelik in Sibande se oeuvre voorkom. Sophie is haar alter ego en \u0149 verwysing na drie generasies van die kunstenaar se familie wat as huiswerkers gewerk het.\u00a0<\/span><\/p>

Sibande gebruik \u2019n afgietsel van haar eie lyf om Sophie uit te beeld as \u2019n ruiter aangetrek in bloedrooi gevegsdrag. Sy word omring deur aggressiewe mitiese diere en vroulike figure op speelperdjies wat herinner aan lewensgroot speelgoedsoldaatjies. Hierdie elemente eggo werke soos The Reign<\/i> (2010) en Right Now<\/i> (2015).\u00a0<\/span><\/p>

Sibande se Sophie-werke suggereer teenvertellings wat onder meer die swart vroueliggaam en vroulike huishoudelike werk ondersoek. Dit is interessant dat Sophie haar met verloop van tyd al meer bevry het van die allegoriese beeld van \u0149 huiswerker wat sy aanvanklik versinnebeeld het.<\/p>

Dit verteenwoordig ook huidige verkennings van die kunstenaar se toenemend persoonlike narratief wat in haar kuns manifesteer. Hier word die droomw\u00eareld van Sophie die huiswerker in verskillende kontekste getransformeer tot \u2019n nuwe droomw\u00eareld: Dit is \u2019n allegorie van persoonlike bevryding, identiteitsvorming en moontlikheid. Sy herverbeel die geskiedenis terwyl sy die huidige transendeer en flankeer met wat dalk gaan volg.<\/p>

Sibande is in 1982 in Barberton, Suid-Afrika, gebore. Sy woon en werk tans in Johannesburg. Nadat sy in 2004 \u0149 diploma in Beeldende Kunste verwerf aan die Witwatersrand Tegniese Kollege, behaal sy ook \u0149 honneursgraad aan die Universiteit van Johannesburg in 2007.\u00a0<\/span><\/p>

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Ander toekennings<\/b><\/em><\/h3>

2017 <\/b>Smithsonian National Museum of African Arts-prys\u00a0<\/span><\/p>

2014 <\/b>Universiteit van Johannesburg se Alumni Dignitas-prys\u00a0<\/span><\/p>

2013<\/b> Standard Bank Jong Kunstenaarsprys vir Visuele Kunste<\/p>

Internasionale residensies, genootskappe en ampstermyne<\/b><\/em><\/h3>

2018-2019<\/b> Virginia C. Gildersleeve Professorship by Barnard College, Columbia-universiteit, New York\u00a0<\/span><\/p>

2013<\/b> Mus\u00e9e d\u2019Art Contemporain du Val-de-Marne (MAC VAL), Parys<\/p>

2011<\/b> Smithsonian Artist Research Fellowship, Washington, D.C.<\/p>

2006<\/b> Cit\u00e9 Internationale des Arts, Parys<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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In the midst of chaos, there is opportunity<\/em> – 2017 <\/strong><\/p>

Fibreglass, Resin, Fabric and Steel Dimensions Variable<\/strong><\/p><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Uitstallings<\/b><\/em><\/h3>\n

2021\u00a0<\/span><\/b><\/h4>\n

Solo-uitstalling, SMAC-galery, Kaapstad<\/h4>\n

Blue, Purple, Red, <\/i>Frist-Kunsmuseum, Nashville, Tennessee (solo-uitstalling)<\/h4>\n

Unhand Me, Demon!, <\/i>Kavi Gupta Gallery, Chicago (solo-uitstalling)<\/h4>\n

Black Luminosity<\/i>, met as kurator Gcotyelwa Mashiqa, SMAC-galery, Stellenbosch\u00a0<\/span><\/h4>\n

Margins of Error<\/i> by die NIROX Foundation Sculpture Park, Krugersdorp<\/h4>\n

2020\u00a0<\/span><\/b><\/h4>\n

BredaPhoto, Breda, Nederland\u00a0<\/span><\/h4>\n

Investec Cape Town Art Fair (SMAC-galery), Kaapstadse Internasionale Konferensiesentrum, Kaapstad<\/h4>\n

Reclaiming Power: Womxn and Intersecting Inequalities<\/i>, Oxfam South Africa, The Worker\u2019s Museum, Johannesburg<\/h4>\n

NOW LOOK HERE<\/i> \u2013 The African Art of Appearance<\/i>, Asterweg 17, Amsterdam, Nederland\u00a0<\/span><\/h4>\n

Making of Ourselves<\/i>, BKHZ, Johannesburg<\/h4>\n

Radical Revisionists: Contemporary African Artists Confronting Past and Present <\/i>by die Moody Centre for the Arts, Rice-Universiteit, Houston<\/h4>\n

Soos Familie \/ Like Family<\/i>, Rupert-museum, Stellenbosch<\/h4>\n

2019\u00a0<\/span><\/b><\/h4>\n

I came apart at the seams<\/i> by Somerset House, Londen (solo-uitstalling)<\/h4>\n

Mary Sibande at the LeRoy Neiman Gallery by Columbia University, New York (solo-uitstalling)<\/h4>\n

Ngoma: Art and Cosmology<\/i>, met as kurators Musha Neluheni, Philippa van Straaten en Khwezi Gule, Johannesburg Art Gallery (JAG), Johannesburg<\/h4>\n

Felix Fair (Kavi Gupta), Hollywood Roosevelt Hotel, Los Angeles\u00a0<\/span><\/h4>\n

Art Basel Miami (Kavi Gupta), Miami<\/h4>\n

arteBOTANICA<\/i>, Nirox Sculpture Park, Krugersdorp<\/h4>\n

Frieze London (Kavi Gupta), Regent\u2019s Park, Londen\u00a0<\/span><\/h4>\n

1-54 Contemporary African Art Fair (SMAC-galery), Somerset House, Londen\u00a0<\/span><\/h4>\n

To Reclaim<\/i> (Kavi Gupta), Chicago<\/h4>\n

That Was Then<\/i>, SMAC-galery, Kaapstad<\/h4>\n

My Africa \u2013 Our Art<\/i>, Javett Art Centre, by die Universiteit van Pretoria<\/h4>\n

N\u2019GOL\u00c1 Festival of Arts, Creation, Environment and Utopias,\u00a0 <\/span>S\u00e3o Tom\u00e9 en Pr\u00edncipe\u00a0<\/span><\/h4>\n

Ampersand Foundation Award, 21 Years Celebration Exhibition, Universiteit van Johannesburg se kunsgalery<\/h4>\n

FNB Art Joburg (SMAC-galery), Sandton-konferensiesentrum, Johannesburg<\/h4>\n

Open Borders,<\/i> die 14de Curitiba-Bi\u00ebnnale, Curitiba, Brasili\u00eb<\/h4>\n

Made Visible: Contemporary South African Fashion<\/i> and Identity<\/i> by die Boston Museum of Fine Art, Boston<\/h4>\n

Construction of the Possible<\/i>, die Havana-Bi\u00ebnnale, Kuba<\/h4>\n

2018<\/b><\/h4>\n

The Armory Show<\/i> (Gallery MOMO), Piers 92 & 94, New York (solo-uitstalling)<\/h4>\n

A Crescendo of Ecstasy<\/i>, aangebied deur The Mixed Reality Workshop met die samewerking van Eden Labs, Keyes Art Mile, FNB Joburg Art Fair, Sandton-konferensiesentrum Johannesburg (solo-uitstalling)<\/h4>\n

The Red Hour<\/i>, Dak\u2019Art: African Contemporary Art Bi\u00ebnnale, Dakar, Senegal<\/h4>\n

In Their Own Form<\/i>, Museum of Contemporary Photography, Chicago<\/h4>\n

Shifting Boundaries: A Selection of Works showcasing South African Women Artists of the Past 100 Years<\/i>, Welgemeend, Kaapstad<\/h4>\n

Not a Single Story<\/i>, \u2019n samewerking met die NIROX Foundation, The Wan\u00e5s Foundation, Nirox Foundation Sculpture Park, die Wieg van die Mensdom, Gauteng\u00a0<\/span><\/h4>\n

Continental Drift: Black \/ blak Art from South Africa and North Australia<\/i>, Cairns Art Gallery, Australi\u00eb\u00a0<\/span><\/h4>\n

Like Life: Sculpture, Color, and the Body (1300 \u2013 Now),<\/i> The Met Breuer, New York\u00a0<\/span><\/h4>\n

Cultural Threads<\/i>, TextielMuseum, Tilburg, Nederland<\/h4>\n

Friends50<\/i>, Iziko Suid-Afrikaanse Nasionale Galery, Kaapstad<\/h4>\n

Extra\/Ordinary<\/i>, met as kurators Ceren en Irkman Arkman, Plugin New Media Section, Contemporary Istanbul Art Fair, Istanbul<\/h4>\n

2017\u00a0<\/span><\/b><\/h4>\n

South Africa: The Art of a Nation<\/i>, The British Museum, Londen\u00a0<\/span><\/h4>\n

All things being equal<\/i>, Zeitz-museum vir Kontempor\u00eare Afrika-kuns, Kaapstad\u00a0<\/span><\/h4>\n

African Mosaic: Selections from the Permanent Collection<\/i>, National Museum for African Art, Smithsonian, Washington D.C.<\/h4>\n

Dress Code<\/i>, Gallery MOMO, Kaapstad<\/h4>\n

1:54 Contemporary African Art Fair (Gallery Momo), Somerset House, Londen\u00a0<\/span><\/h4>\n

Art on Paper<\/i>, Gallery MOMO, Johannesburg<\/h4>\n

Cape Town Art Fair, Kaapstadse Internasionale Konferensiesentrum, Kaapstad<\/h4>\n

The Evidence of Things Not Seen<\/i>, Johannesburg Art Galery, Johannesburg<\/h4>\n

Another Antipodes\/Urban Axis<\/i>, PS Art Space, Fremantle, Australi\u00eb\u00a0<\/span><\/h4>\n

Beauty and Its Beasts<\/i>, Durban Art Galery, Durban<\/h4>\n

Identitet\/Identity<\/i>, Avesta Kommun, Verket\/Avesta Art, Swede<\/h4>\n

Deep Memory<\/i>, Kalmar Konstmuseum, Kalmar, Swede<\/h4>\n

2016<\/b><\/h4>\n

Right Now!<\/i>, Woordfees, Kunsmuseum van die Universiteit Stellenbosch, Stellenbosch (solo-uitstalling)<\/h4>\n

The Armory Show<\/i> (Gallery MOMO), 92 & 94 Piers, New York (solo-uitstalling)<\/h4>\n

Different Angels<\/i>, H\u00f6henrausch, Linz, Oostenryk<\/h4>\n

Desire<\/i>, Association of Arts Pretoria, Pretoria\u00a0<\/span><\/h4>\n

Re[as]sisting Narratives<\/i> Framer Framded, Amsterdam; District Six Museum Homecoming Centre, Kaapstad (rondreisende uitstalling)<\/h4>\n

A Place in Time<\/i>, Nirox Foundation Sculpture Park, Krugersdorp<\/h4>\n

Selling the Shadow<\/i>, met as kurator Ayana V Jackson, Gallery MOMO, Kaapstad<\/h4>\n

Chicago Expo, Gallery MOMO, Chicago<\/h4>\n

After the Thrill is Gone, Fashion Politics and Culture South Africa<\/i>, Richmond Center for Visual Arts, Kalamazoo, Michigan\u00a0<\/span><\/h4>\n

South Africa \u2013 The Art of a Nation<\/i>, British Museum, Londen<\/h4>\n

2015<\/b><\/h4>\n

Barriers \u2013 Contemporary South Africa<\/i>, Wan\u00e5s Konst Sculpture Park, Knislinge, Swede<\/h4>\n

Arttextile<\/i>, The Whitworth, Manchester, Engeland<\/h4>\n

Between the Art and the Experience<\/i>, Havana Biennale, Kuba<\/h4>\n

Twenty: Art in the Time of Democracy<\/i>, UJ Arts Centre, Johannesburg\u00a0<\/span><\/h4>\n

ReSignifications: Imagining the Black Body and Re-Staging Histories<\/i>, Museo Bardini, Florence, Itali\u00eb<\/h4>\n

South African Art in a Time of Democracy<\/i>, 6th Beijing International Art Biennale, Beijing, China<\/h4>\n

2014<\/b><\/h4>\n

The Purple Shall Govern<\/i>, Iziko Suid-Afrikaanse Nasionale Galery, Kaapstad; Standard Bank Gallery, Johannesburg (solo-uitstalling)<\/h4>\n

Where do I end and you begin?,<\/i> Edinburgh Festival of Arts, Skotland\u00a0<\/span><\/h4>\n

Material Self: Performing the Other Within<\/i>, Museum of Contemporary Canadian Art, Scotiabank CONTACT Photography Festival, Toronto, Kanada<\/h4>\n

2013\u00a0<\/span><\/b><\/h4>\n

Lyon Biennale of Contemporary Art, The Museum of Contemporary Art, Lyon, Frankryk (solo-uitstalling)\u00a0<\/span><\/h4>\n

Mary Sibande and Sophie Ntombikayise Take Central Court<\/i>, Central Court, Spencer Museum of Art, University of Kansas, Kansas (solo-uitstalling)\u00a0<\/span><\/h4>\n

The Purple Shall Govern<\/i>, The Mus\u00e9e d\u2019Art Contemporain du Val-de-Marne, Parys; Iziko Suid-Afrikaanse Nasionale Galery, Kaapstad; North-West University Gallery, North-West University, Potchefstroom; Tatham Art Gallery, Pietermaritzburg; Standard Bank Gallery, Johannesburg, The National Arts Festival, Grahamstown; Nelson Mandela Metropolitan Art Museum, Gqeberha, (rondreisende solo-uitstalling)<\/h4>\n

Long Live the Dead Queen<\/i> by die Mus\u00e9e d\u2019Art Contemporain di Val-de-Marne, Parys (solo-uitstalling)\u00a0<\/span><\/h4>\n

Meanwhile . . . Suddenly and Then<\/i>, 12th Lyon-Bi\u00ebnnale, Lyon<\/h4>\n

Say it Loud!: Art by African and African-American Artists in the Collection<\/i>, Norton Museum of Art, Florida<\/h4>\n

My Joburg<\/i>, Staatliche Kunstsammlungen, Dresden; La Maison Rouge, Parys\u00a0<\/span><\/h4>\n

Family Histories<\/i>, Dishman Art Museum, Lamar University, Beaumont<\/h4>\n

Sibande on Campus: Mary Sibande Installation\/New Work<\/i>, Institute for the Humanities Gallery, University of Michigan, Ann Arbor<\/h4>\n

2012<\/b><\/h4>\n

Mary Sibande and Sophie Ntombikayise Take Central Court<\/i> by die Spencer Art Museum, Lawrence, Kansas (solo-uitstalling)<\/h4>\n

Recent Additions: 2009-2012<\/i>, Iziko Suid-Afrikaanse Nasionale Galery, Kaapstad\u00a0<\/span><\/h4>\n

The Rainbow Nation: Contemporary Sculpture from South Africa<\/i>, Museum Beelden aan Zee, Den Haag\u00a0<\/span><\/h4>\n

Somehow, Somewhat in the middle of things<\/i>, Liefhertje en De Grote Witte Reus Gallery, Den Haag<\/h4>\n

Say it loud<\/i>, Norton Museum of Art, Palm Beach, Florida<\/h4>\n

2011\u00a0<\/span><\/b><\/h4>\n

(Re)constructions, Contemporary Art from South Africa<\/i>, Museu de Arte Contempor\u00e2nea de Niter\u00f3i (MAC), Rio de Janeiro<\/h4>\n

ARS 11<\/i>, Kiasma Museum for Contemporary Art, Helsinki\u00a0<\/span><\/h4>\n

Desire, Narratives in Contemporary South African Art<\/i>, 54th<\/sup> Venice Biennale, Itali\u00eb, as deel van die Suid-Afrikaanse Paviljoen<\/h4>\n

Paris Photo<\/i>, Grand Palais, Parys<\/h4>\n

BEYOND Re\/PRODUCTION. MOTHERING<\/i>, Kunstraum Kreuzberg \/ Bethanien, Berlyn<\/h4>\n

Desire, Narratives in Contemporary South African Art<\/i>, 54th Venice Biennale, as deel van die Suid-Afrikaanse Paviljoen<\/h4>\n

2010\u00a0<\/span><\/b><\/h4>\n

Long Live the Dead Queen, Inner City Johannesburg, Exhibition of billboards on 19 buildings<\/i>, Johannesburg, The Albany History Museum, Makhanda (solotenstoonstelling)<\/h4>\n

From Pierneef to Gugulective: 1910-2010<\/i>, Iziko Suid-Afrikaanse Nasionale Galery, Kaapstad<\/h4>\n

l\u2019Exposition du Festival Mondial des Arts N\u00e8gres<\/i>, Dakar, Senegal<\/h4>\n

Space: Currencies in Contemporary African Art<\/i>, met as kurators Thembinkosi Goniwe en Melissa Mboweni, Museum Africa, Johannesburg\u00a0<\/span><\/h4>\n

2009<\/b><\/h4>\n

Long live the Dead Queen<\/i>, Gallery MOMO, Johannesburg (solo-uitstalling)<\/h4>\n

2008\u00a0<\/span><\/b><\/h4>\n

Four Tales<\/i>, Gallery MOMO, Johannesburg\u00a0<\/span><\/h4>\n

2007\u00a0<\/span><\/b><\/h4>\n

Dark and lovely (5 Women)<\/i>, Gordart Gallery, Johannesburg\u00a0<\/span><\/h4>\n

I Love you Positive or Negative<\/i>, Espace Simon Michel, Parys<\/h4>\n

2006\u00a0<\/span><\/b><\/h4>\n

My Madam\u2019s Things<\/i>, Gordart Gallery, Johannesburg (solo-uitstalling)<\/h4>\n

Sasol Miniatures Exhibition<\/i>, Johannesburg\u00a0<\/span><\/h4>\n

ABSA L\u2019ATELIER Awards Top 50 exhibition<\/i>, ABSA Gallery, Johannesburg\u00a0<\/span><\/h4>\n

I Love You Positive or Negative<\/i>, Alliance Fran\u00e7aise, Johannesburg<\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

\u201cDie werk getuig van die mag van die verbeelding. Hoewel die status van vroue in Suid-Afrika nog altyd sinoniem is met geweld, verdrukking en swaarkry, is dit deur veerkragtige eienskappe soos harde werk, krag, liefde, hoop en verbeelding dat vroue die geleentheid kry om hul eie narratief te skryf ondanks die noodlot of gebrek aan kanse.\u201d – Uit die beoordelaars se commendatio<\/p>","protected":false},"author":1,"featured_media":1191,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[15,9],"tags":[],"class_list":["post-1253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beeldhoukuns","category-vorige-wenners"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.helgaardsteynpryse.co.za\/wp-content\/uploads\/2021\/12\/Mary-Sibande_Studio-Portrait-1_2017_jodibieber-scaled.jpg?fit=1199%2C1500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/posts\/1253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/comments?post=1253"}],"version-history":[{"count":5,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/posts\/1253\/revisions"}],"predecessor-version":[{"id":1284,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/posts\/1253\/revisions\/1284"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/media\/1191"}],"wp:attachment":[{"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/media?parent=1253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/categories?post=1253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.helgaardsteynpryse.co.za\/eng\/wp-json\/wp\/v2\/tags?post=1253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}